18.2mm±0.1

bezel study — 18k yellow gold — 6.2mm sapphire seat

Raw sapphire gemstone on jeweler's paper, deep blue uncut crystal

Kashmir sapphire, uncut

Assorted precious gemstones arranged on white paper, rubies emeralds and diamonds

melee selection, spring

jeweler's carving wax — soft blue

Close-up of finished gold engagement ring with diamond solitaire showing hallmark stamp detail
750 ♦ AM

"the stone must feel
inevitable in the hand"

Atelier · Est. 2014

Facet

Bench Jeweller · Bespoke Commissions

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Bespoke CommissionBench FabricatedAtelier Process18k & 22k GoldStone SettingHallmarked PiecesThree Commissions RemainingBespoke CommissionBench FabricatedAtelier Process18k & 22k GoldStone SettingHallmarked PiecesThree Commissions Remaining
01

Commission 01

The Quiet Band

A wedding ring that disappears into the skin

The Brief

I want something so simple it's almost not there. Hammered, not polished. Something that looks like it was always his hand.

Priya V., San Francisco

Specifications

Metal22k yellow gold
StoneNo stone — texture only
Commission Duration4 weeks

Process Notes

  • Forged from a single rod of 22k sheet, no solder seam anywhere on the shank.

  • Texture achieved with a 4mm planishing hammer over a domed steel mandrel — 340 individual strikes.

  • Interior burnished mirror-smooth so it reads against the matte exterior.

  • Hallmarked with the couple's initials and the date in a font she hand-lettered herself.

At the Bench

Jeweler's torch flame touching gold wire at the workbench, orange flame and glowing metal

Raising the band — torch and planishing hammer, day 3

Concept Sketch

Pencil sketch of a simple hammered wedding band with dimension annotations on cream paper

Finished Piece

Finished 22k yellow gold hammered wedding band on hand, warm skin tone, natural light

750 · 22k · FACET

I've never seen him look at an object the way he looked at this ring when I opened the box. It was already his.

Priya V.

Collector, San Francisco

02

Commission 02

The Pavé Cluster

A galaxy set in 2.3 grams of white gold

The Brief

I want it to look like someone scattered stars and they just landed right. Asymmetric. Alive. Not a single stone should be the obvious center.

Dana R., New York

Specifications

Metal18k white gold
Stone37 brilliant-cut diamonds, 0.04–0.12ct each, VS1–VVS2
Commission Duration7 weeks

Process Notes

  • Each seat cut by hand to within 0.05mm tolerance — no laser, no CNC.

  • Stones placed in conversation with each other, no two at the same height.

  • Claw tips burnished individually with a beading tool, then polished with a rubber wheel.

  • Total diamond coverage: 94% of the top face — the gold is almost invisible.

At the Bench

Jeweler's torch flame touching gold wire at the workbench, orange flame and glowing metal

Bright-cutting the seats — 0.8mm graver, magnified 10×

Concept Sketch

Detailed pencil sketch of asymmetric pavé cluster ring showing stone placement diagram on drafting paper

Finished Piece

Asymmetric pavé cluster ring in white gold with 37 diamonds on pale skin, side lighting reveals depth

750 · 18k · FACET

Every time I move my hand the light finds a different stone. It's never the same ring twice. I've been wearing it six months and I'm still discovering it.

Dana R.

Art Director, New York

03

Commission 03

The Suite

A museum commission in three voices

The Brief

We're doing a trunk show in October. I need three pieces that read as a family — same DNA, different moods. The kind of work that makes a room go quiet.

Margaux H., Gallery Director

Specifications

Metal18k rose gold with oxidised sterling details
StoneParti sapphires (teal/yellow), 2.8–4.1ct; Mozambique rubies; white diamonds
Commission Duration14 weeks

Process Notes

  • Necklace: 18 individually forged links, each a slightly different gauge — the irregularity is structural, not accidental.

  • Ring: a parti sapphire in a four-claw open bezel, claws deliberately thin so the stone reads as floating.

  • Earrings: mismatched by 2mm in drop length — a decision made at the bench, kept after client approval.

  • All three pieces share a single oxidised detail at the reverse — invisible when worn, a private signature.

At the Bench

Jeweler's torch flame touching gold wire at the workbench, orange flame and glowing metal

Soldering the necklace bail — third-hand and fine silver solder

Concept Sketch

Three-piece jewelry suite concept sketches in pencil showing necklace ring and earrings with material callouts

Finished Piece

Museum-quality three-piece jewelry suite in rose gold with parti sapphires and rubies on black velvet

750 · 18k · FACET

Begin the Conversation

Reserve Your
Consultation

Every commission begins with a conversation. I want to understand not just what you want to wear, but why — the occasion, the story, the person who will receive it.

Now accepting three commissions for autumn

Bespoke work takes the time it takes. Current lead time is 10–14 weeks from first meeting to finished piece.

First meeting
60-minute consultation, in-person or video
Design phase
Hand-sketched concepts, 2–3 iterations
Fabrication
Built entirely by hand at the bench
Delivery
In a hand-sewn linen pouch with hallmark certificate

Now accepting three commissions for autumn

Not ready to commission? Download the lookbook for a quiet browse.